
Red ShiftI. Stasis i.
"I need to hide a body,"
The crispness
Before a question is asked
Is interrupted
"Yours."
I. Stasis ii.
I hang up on him
And hesitate;
Wait for vivisection
By vibration;
Wait for him to call back
To confirm
What he heard.
I can hear him
Go back to sleep.
II. Intravenous i.
He is alive.
Photos of him
Have a distant red shift
In his eye.
Photos of me
Have an approaching blue tint
In the iris.
I wait for him to call back
To confirm
What he heard.
II. Intravenous ii.
I'm digging
For the others
I had hid a town or two away.
The shovel
Won't break the cul-de-sac asphalt
Where forest floor
Had been.
II

TrellisI teach a caterpillar
How to conceal its markings
On a grapevine that grasps
The trellis, trimming
Chewed leaves. Bigger
Bite marks upon bite marks.
A rotten apple-core chrysalis
Is hanging on a vine.
All it ever does is change.
I taught the grapevine
Where to grasp the trellis.
And all it ever does is want.

HeadfirstHeadfirst is the only way to fall when you're the barrier between unconsciousness and brain cells. Lungs contort my breathing won't come doesn't come fast enough. My aorta scoffs at me, tsk tsk, and I can perceive that I am so acutely aware with what is left of my five senses and of my surroundings that I cannot register cannot assess the situation. Everything is now, and now is for everything that will continue to be now.
I pick myself up.
Blood: I taste it and it smears dry on my facial features. I have no sense of vision; it is not that I see black; it is that I imagine I must be viewing black to have no sensation of li

Retrograde Scents from inside the suit intertwined their intentions with the sights of tangled and tessellated hair illumed by firefly LED's, spiking my circulation with memories and murmurs of dopamine.
I took her by the gaze; she steered her sight away from mine. I led her through a glance that involved no scuffling of hands.
She was one of two wayward strangers passing in the cosmos; two separate glances met as objects in motion tending to motion. People aren't the same however.
Drifter was the term we were known as, people cast off of vessels and ships, mostly by accident, condemned to trudge about the univ

SojournerRevisited 10/28/2012 - Read by disrhythmic HERE.
I.
Salt in the cemetery licked at the lacking and
Lacquered ribcages of centuries old hulls
Hulls and albatrosses overhead like
Broken ribs and severed sternums.
Masts akimbo and off-kilter, wood stained
To the marrow by the fresh saltwater from the shore
Of the Aral Sea; beached, sunk in the speckled
Sand, like the words of a guilted verdict,
A flotilla of past-flown ships and craft
Plunge further into the pebbles and topsoil.
The decay of humanity and humus emergent,
Each vessel was a well-rested relic reliant on
The sun to circumnavigate the pearlescent skies,
For the ve

Sojourner III.
The icicle crests of pine-needle tiaras
Had settled onto the crisp craniums of pale
Rouge and foundation-frosted pinecones.
The multi-faceted snow-tipped noses were open
To the hushed aria of breathing with undertones
Of whispers suggesting: sway shatter.
He registered ashen snow and Fibonacci sequences
In the scales of the pinecone, in the evergreen
Needles, and in the steadily increasing flurries.
At a stalemate for minutes past dusk and hours
Until dawn, the evening's lunar fluorescence had
Peaked in reflective moonlight and begun to dim.
Skyward flurries took of frost as he overtook
Diminishing footprints; the soil

Only as Old"Frail bones predict what fragile minds can't detect,"
He trailed off slowly, "And my bones are achin'."
The air around me hung low and depressed,
Sticking to the back of my throat like a stormy syrup
I'd tried to swallow down.
I peered out the kitchen window
And caught an inklet of patched-over-grey sky;
I wondered what was in store for the day.
Impartial to the gloom outside, we stepped out onto the back porch;
Grandpa wobbled out with his cane in hand and we waited.
In the hushed stillness the trees traded birds
Robins, swallows, whippoorwills, and cardinals.
If you squinted hard enough at the sullen shrubbery,
You could

The Other ColorWith an inhalation of breath and mind he realized
He had always found it effortful to depict
And portray the apperception of the paints
And the ethos of the ink to another
Individual who had wandered out of room.
But they were not out of mind, and the premise
To call their presence nearer was an undeniable
Determinant in his whirling to look behind him,
Finding nothing but the morning dust lurking like
A ghost that had misplaced its haunting.
But the dust offered no criticism, response,
Or interpretation. He turned back to his work,
And the music that eavesdropped on his inspiration
Traipsed on, changing tracks.
That was when t

CompathyI've been told it's irrelevant;
An acquaintance is a friendly face
Whether I reckon I hold them
As confidant or coincidence.
An acquaintance is a friendly face;
I hail friends from crosswalks
As if a confidant or coincidence,
In reference or in reverence.
I hail friends from crosswalks
Whether I reckon I hold them
In reference or in reverence;
I've been told it's irrelevant.

The Cuts on the Back of my HandsOn my Saturn-ringless finger
I have an accidental cut identical to one
that was indexed on another knuckle;
the cuts heal at different rates.
On the finger I point at couples with the cut
from cuticle to wrinkled knuckle now has
the seamless texture of skin, but with
the mark on the finger the ring slides,
the marriage of incision
and post-op still lingers.
The digit I point with is always busier
than the ring finger I plan to use,
someday, every day.
And whether it is the scientific method
or a quirk in my hallucino-genetics
that has inflated my interest
in the cuts on the back of my hands,
I consider the possibility
that healing doe

The Gospel in the GroundTaos hum hymnals
With banjo twang,
Pick-guard scratches
And raspy voices,
Tambourine hip-hits,
Muffled mumbling
Of backing vocals
And bare-knuckle
Bone-clap hi-hats.
The skeletons can't sit still
When the gospel in the ground
Is the only sound in the sod.

Let the Sparrows InI.
Blackbirds are resting on the power lines,
Their silhouettes form the notation to
A dawn song set on the sheet music of
Telephone poles contrasted by the sun.
Curled leaves are land mines littered
On the lawn where imprints of twigs
And a nurturing robin's tracks collect.
Branchlets and leaflets stem from
Porch step railings and mailboxes;
The numbers read even on the
East side of the asphalt:
Seven-seven-thirty-six.
The engraved letters on
The siding reads, "Davis."
This house is home to family
So let the sparrows in.
The house,
With its branching hallways
And
Overhanging décor
And
Furniture rooted to the floor

Drift SestinaDoce me quod est verum; quis amat in amatores?
Before the sun has stretched its rays I have drifted
Upon her. My eyelids fall open and note her palms
Are curled in crescents as if a lighter and its fluid
Needed sheltering from a breeze or breath. The balm
On her hands shimmers a lunar blue; I'm kindled
To awaking her by the twitch and vague resistance
Of my calf twisting around her heel. I cautiously resist
Brushing the bristles of seductive words into her drifting
Dreams and speechlessly talk her awake with kindly
Offerings to cup her hands in my curling palms.
Drawing my knuckles into her in spirals, the balm
On her fingers feel

Disposable KitesI don't wait for
Tomorrow morning.
Kites are sheathed
In moth ball plastic,
Unanchored
To reels and wrists,
Breezes and drafts.
Attic musk
Wafted through
The lived-in rooms
When the kites
Are retrieved
In the early evening.
On the backyard patio
Kites daubed with
Finger-grime
Are constructed
From kits.
Moth-nibbled fabric
Is stretched over
A spinal framework,
Tinker-toy sticks
And hexagonal-
Holed spools.
Porous, the kites
Are acutely aware of
The barometer's breath;
I handle the mast
And sails like steering
Wheels in a skid
When a breeze propels
A kite and I towards
Patio steps, expediting
A passerby parent

BullyI bul-lieve
virginity is a childhood disease;
I know
because my music tells me
I haven't found a way to keep it.
So I do keep it.
And it bothers me
that I keep a twitch full of grief
when I tell myself
bullying is a group activity
and proceed towards you
as a person
questioning your person,
and how you haven't
found a way to keep innocent.
So I do not keep innocent.
I believe
I am learning to keep to myself
but you keep to yourself still.

Paper Trains The streets were accommodating strangers. Commuters proceeded by the station entrance, guided by markings on the ground. Two men held distinct thoughts about the people and the things around them. They were strangers passing in the street whose two separate glances had met, nodding to the other. The brief, disconnected exchange of ideas was inimitable.
They parted from each other, leaving for their man-made trains.
David,

Paper Trains The streets were accommodating strangers. Commuters proceeded by the station entrance, guided by markings on the ground. Two men held distinct thoughts about the people and the things around them. They were strangers passing in the street whose two separate glances had met, nodding to the other. The brief, disconnected exchange of ideas was inimitable.
They parted from each other, leaving for their man-made trains.
David,
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